31 July 2008

What Gives With Kane and Hicks?


It seems to me that this multi-story condo complex at the northwest corner of Hicks and Kane Streets near Cobble Hill was finished more than a year ago. The building, known as 115 Kane, seems complete, yet a plywood fence remains in place around it and no one has taken up residence. Nothing ever happens on this site.

I've taken notice of the building for some time because, of all the new structures in the area, it's significantly less horrifying. They've done some mildly interesting work with the lintels and the roofline, and the color of the brick is vibrant-ish. It's also not terribly huge or out of proportion with what's around it. I don't mind having the building in the area.

But obviously something's gone wrong. It's in a state of limbo. Weeds and long grass have had their way around the perimeter. I have noticed occasional postings on Brownstoner but none that mentioned the developer by name. DOB certificates posted on the plywood wall list something called Metrotech Construction, but that may or may not be the developer. Did someone run out of money or go to jail? What gives?

Yesterday's Cabs as Big as Today's Apartments


Saw a perfectly maintained Checker Cab parked under some scaffolding on Hick Street in Brooklyn the other day and, since no one was about who looked like the owner, I took a good long gander at the interior.

Ever wonder about those scenes from old movies where four people climb into the back of a cab and have a confab, two seated in the back seat and two faces them with their backs to the camera? Well, that wasn't a movie contrivance. There plenty room for four in the back. Take a look at that back seat! It could comfortably seat three across. And attached to the back of the front seat are two round black stools that can be folded down if they're needed. Luxurious.


Some Stuff That's Interesting


The Ward's Island Footbridge is the oddest and most under-appreciated bridge in NYC.

The Plaza "Hotel"'s fabled Oak Room will reopen in September.

The Orange Hut in Woodside, where I've sometimes had breakfast in the past, has an interesting history. Always thought it might.

The Keller Hotel in photos.

Richard George of the Beachside Bungalow Preservation Association of Far Rockaway scores a victory.

LICH: Ruining Your Life For You


Long Island College Hospital is back doing what it does best: selling off its real estate holdings so they can be turned into eyesore condos.

The geniuses who can't make the only hospital that serves Brooklyn Heights, Cobble Hill, Boerum Hill, Carroll Gardens and Red Hook work as a business proposition ("Gosh, we've got a monopoly on five Brooklyn neighborhoods! Now, how do we make money?") is going to sell 97 Amity Street and the Pholemus building across the street. (Above, courtesy of Brownstoner.)

LICH has already sold the Lamm Building at 110 Amity Street and Carroll Gardens' International Longshoremen’s building at 340 Court Street, which is becoming The Collection, a hideous-looking condo complex, plus a bunch of buildings on the west side of the BQE near Congress and Warren, of which all but one have already been demolished. Condos will follow there, as well.

Doctors at LICH continue to cry out against Continuum Health Partners, LICH's parent company, saying this is all part of their plan to dismantle and close LICH. The corporation, of course, keeps saying "No, no, no, no, no. That's not our intention at all!"

The transaction will involve not only the selling off of property, but of LICH history. 97 Amity Street was the original core hospital, and the Polhemus building was once a medical school.

Chasing Rainbows


This is how it goes in New York these days. You discover a great old restaurant or shop, and soon after you learn it's going out of business or is up for sale.

I only laid eyes on the Rainbow Cafe in Sunset Park last winter. Last June, it shuttered after its owner passed away. Now Brownstoner reports that it's on the block. It's listed for a cool $3.25 mil, and the broker handling the property offered this choice piece of crappy advice, "Ideal for Large Retail Chain, Bank, Fitness Center, Fast Food."

Yeah, would also make a nice site for a new crematorium for unscrupulous real estate brokers.

30 July 2008

Cemusa Cleans Up Its Act


Thanks to Sybil Cuma, who wrote to me today to say that, following my Sunday, July 27, attack on the filthy state of a Columbia Street Cemusa bus shelter, "On Monday night Cemusa sent their cleaning contractor Shelter Express to clean the Columbia Street bus shelters—and they did a pretty good job. Then I noticed on Tuesday that Shelter Express was back again with lots of cleaning trucks. They spent hours cleaning and polishing the bus shelters. They were spotless after they were finished."

See the picture above, taken today, compared to the one below, taken July 26. Quite a difference. They even cleaned the glass roof. Now, I know I'm jumping to conclusions thinking Cemusa acted after seeing my post (which was helpfully picked up by good folks at Curbed, Queens Crap and City Desk), but, Hell, I'm feeling kinda low today, so I'm taking full credit! Lost City spoke and Cemusa jumped! Power to the bloggers!

I still hate their bus shelters, though.


29 July 2008

Rat-Squirrel House Lady Doesn't Recognize No Stinkin' Badges


It's been months since the City erected a shed around the crumbling Rat-Squirrel house at 149 Kane Street in Cobble Hill, but the tumbledown address is still standing firm, despite an exceptionally rainy spring.

Also standing firm is the Lady of the Rat-Squirrel House, Arlene Karlsen. Lost City has reported in the past on local scuttlebutt that Karlsen has openly floated the DOB's order to vacate the building and still lives there. But here's official confirmation in the form of an April inspection of the place, which noted a "FAILURE TO COMPLY WITH COMMISSIONERS ORDER TO VACATE." No news on whether they finally go Arlene to go.

Long Island Restaurant Update


I've been watching the fate of the long-closed Long Island Restaurant so closely, I don't know how this May report in The Brooklyn Paper slipped by me. But better late than never. Here's what the paper found out:



When the Long Island Restaurant, a decades-old fixture at the corner of Atlantic Avenue and Henry Street, closed in August, a note on the door suggested the eatery was just shuttered for a short vacation.

It’s now a nine-month respite.

The three owners — Emma, Maria and Pepita Sullivan — had shut it down to spend the fall in their home country of Spain.

But tragedy struck.

The fall trip extended into winter and then spring after the family matriarch, who is in her 100s, fell and became bedridden, said Brandie Burns, a Sullivan family friend.

Then, one of the Sullivan sisters’ sons died, extending the delays.

“It is heartbreaking,” said Burns. “They are all broken up right now.”

The Long Island Restaurant has been a favorite neighborhood haunt for 56 years and locals eagerly await its reopening. Indeed, the place looks ready to open at any time — a dishrag and glasses are still on the bar, as if the place was closed merely for the night.

The eatery’s neon sign, scrolled in classic 1950s style, was a community landmark and with the lights out, the neighborhood doesn’t feel the same, said Burns.

“It was the kinda place you could go to just hang out and relax,” said Burns, who added that Emma, Maria and Pepita’s kids are “busy doing their own thing,” and have little interest in carrying on the family tradition.

Burns said the Sullivans remain “hopeful about reopening.”

“They’ll never sell it,” he said.


Most of that jibes with what I've heard over the months, although no one told me that the Sullivans actually wanted to reopen. Funny how Brooklyn Paper managed to report on the restaurants fate without actually quoting any of the Sullivan. I guess their reputation for being private people is well earned.

I hesitate to point out that it's been nearly three months since this article appeared. Sigh.

Some Stuff That's Interesting


The economy changes everything: Maybe the Hotel Pennsylvania won't be demolished.

A foul-mouth idget blogger defamed Dominic De Marco of Di Fara's and Grub Street defamed the blogger in return.

Rich folks can't afford for Bloomberg to lose his job.

Porkchop Express reports extensively on the changed look of the Red Hook Ballfield vendors.

Cool pictures of Staten Island's Ship Graveyard.

And, as usual, the MTA sucks.

28 July 2008

Ridgewood Theatre: Soon YOU Can Afford It


The price on the 92-year-old Ridgewood Theatre is going down.

The old movie house—diner-saver Michael Perlman's professed latest target for salvation—closed down last winter after nine decades of continual service. The Thomas Lamb-built structure was then put on the market for $14 million.

But don't fret! You can now have it for only $9.5 million. Guess old Vaudeville houses in out-of-the-way nabes aren't as hot as they once were.

Heights Books to Go?


It appears that Heights Books, the nice used books story on Montague Street in the heart of Brooklyn Heights, is to close. (Forgive me if this is old news.) A listing on the dependably depressing Massey Knakal real estate site, says the building Heights Books occupied in on the block for $4.5. million and the retail space will be "delivered vacant."

UPDATE: Brooklyn Heights Blog reports that "Tracy Walsh, owner of Heights Books on Montague Street... is searching for a new home and hopes to remain in the area. It’s just a matter of finding the right space at a good price she adds." Hopeful news.

Forward Into the Past


Some time ago, I sent away to the Municipal Archive for an old photo of a building at Henry and Verandah Place and got this instead: an old building at the corner of Henry and Degraw. It turns out it's the building that's been undergoing a major overhaul over the past year.

I wonder if the new owners ever saw this old shot of the property. Because it seems like they'd on their way to making the building look pretty much like it did in the 1920s. Until recently, the boxy thing was layered in white brick that made it look like the inside of a public bathroom. They've ripped that off and are back to the original red brick. They're keeping the old shape of the side wall. The only big difference is the new dormer windows on the front, giving the place a little more dimension.

Guess the owners figured the architects pretty much got it right the first time.

Update on the South End Tavern


I have readers in Troy, NY. Who knew? Or at least among former Troy natives. Mike de Seve wrote in recently about my recent Troy post, particularly the one about the age-old South Side Tavern (aka Marty Burke's) which transfixed me so. Turns out I had reason to be transfixed. The joint is a fascinating place. Read:

My grandmother was one of the ladies the sign was made for - an Irish girl, daughter of the contractor that did most of the major industrial building in the city, icluding the famed Burden Water Wheel, the world's largest I believe. They were the Behan family, and I grew up as the last of 6 generations that lived in the very same house, 334 4th, which Burden Avenue becomes as you travel north.

My favorite story of hers about Marty Burke's was that, in the ladies room, there apparently was a mural of the Garden of Eden, including a nude Adam. Adam sported an actual brass fig leaf for modesty—which was secretly tied to a string that rang a bell when a lady was curious enough to lift it. This was a signal to the band to strike up a fanfare for her as soon as she stepped out.

As a kid in the '60's -'70's I was raised on Marty Burke's fried codfish Fridays-only special (the old Catholic rule—no meat on Fridays). Still a benchmark of strong-flavored fish fry, a tradition carried on when cod is in season by Ted's Fish Fry, the area's most beloved chain of 3 stores. The other great thing about Marty Burke's is that the majority of the 8-ounce beer glasses are so old their glass is still communion-wafer thin. Very curious, feels nice in the hand.


I feel like holding one of those beer glasses right now.

27 July 2008

Cemusa: Beautifying Our City


Whose responsibility is the upkeep of the City's new bus shelters? I know the Spanish company Cemusa put them here, winning the right to do so after stuffing a billion or so into Mayor Mike Success-o-Manic City Hall. But what happens after they've been propped up and slapped silly with ads? Is the City supposed to give 'em a hose-down every now and then? Is Cemusa supposed to fly over task forces once a week?

I ask this after sitting recently in a bus shelter on Columbia Street, Brooklyn, waiting (and waiting and waiting) for the B61. The glass walls were filthy. They looked like they hadn't been cleaned in weeks. Pieces of tape remained stuck to some panels where flyers had once been posted. Dirt and debris had fallen on the translucent ceiling.


You can't tell from looking at this armrest (below), but it's loose. I give it another two weeks before it falls off or is ripped off. I knew when I saw these slick pieces of goods go up that they were the products of flashy design, but shoddy craftmanship.


And some more complaints while I'm at it: who decides what goes where on these ugly ad boxes. Here's a window on the side taken up by a piece of white paper that says "MTA." Very informative. Why not put a bus schedule there instead? Wouldn't that be useful?

And when the big panel of a Cemusa shelter isn't taken up by a paid ad for a movie or IKEA or something, why must it be occupied by an ad for Cemusa instructing people where to call to advertise? I'm sure if a business really wants to paste its ads on a Cemusa shelter, they'll know who to call. They're figure it out. In the meantime, can't the space be used in a less repulsive way? Just a thought.


Some Stuff That's Interesting



Somebody finally got the bottom (sort of) of the mystery behind Carroll Gardens' Vermont Market and Pharmacy.
This gal can't forget Bay Ridge was once Viking territory. I've met Victoria Hofmo, actually. Her focus on this issue is unwavering.

A remembrance of Cheyenne Diner in the Times, by an author who doesn't seem to know that the diner is not gone forever, but moving to Red Hook.

Delusional lame duck and Cheeze-it eater Bloomberg won't shut up about national politics, and still has lousy taste in food.

This is why builders use such crappy bricks these days. The old kind cost too much!

Recalling the New York high-life scene of old, via Lucius Beebe's epic 1960 grazing tour.

Cloud support.

Another mainstay of the old Midtown has closed.

Every politician, it seems, is in the pocket of the developers.

More Fountains!


I'm not an urban planner, but I've got my ideas. One of them is fountains. If anyone ever put me in charge of laying out a new city, the first thing I'd do is fill is with fountains. Fountains in every park and every square. The thought first occurred to me in Rome. I thought, "Why is this city so pleasant and enlivening to stroll through when parts of New York—mainly Midtown—are so stultifying and deadening?" And it struck me: fountains. Flowing water everywhere, a sign of life and activity, falling gently on the the eye and the ear, filling the air with pleasing sound and needed moisture. Plus, it was all good water to drink!

Cheers to whoever erected this nice fountain in Churchill Square on Sixth Avenue near Bleecker. It improved the surroundings 100 percent and makes people want to sit and pause, rather than skirt across the square as fast as you can—which used to be the case.

25 July 2008

News About the Minetta Lane Tavern


Some new news about the historical Minetta Tavern, which is getting a new lease on line and a redesign courtesy of restaurateur Keith McNally. Many have been concerned about how respectful McNally would be of the tavern's timeless interior and old-world architecture.

This early report from Ken Mac of Greenwich Village Daily Picture is rather encouraging:

Spoke to the guy out front doing renovations; they are going to restore the facade to resemble its original design, with bay windows and wood trim detail below. Also, they uncovered two beautiful columns that have apparently been covered since the mid 70s.

They have also removed the old neon from the classic sign, hopefully with the intention of putting new neon in its place.

The photos here are courtesy of Ken.


360 Pulls a 180


Curbed reports that developer Billy Stein's controversial 360 Smith Street building—the one that nobody in the neighborhood but Stein wanted, that was horribly out of proportion for the area, that is going to fuck up the Carroll Street subway station for years, that was initially to have been built by a maybe-felon—has run into a little snag.


On Wednesday, the City Council unanimously passed the "Narrow Streets" Zoning Text Amendment for some streets in Carroll Gardens. This is significant because the building would be 70 feet versus the 55 feet allowed by new zoning. By Wednesday night, emails were circulating telling people to call the Department of Buildings. DOB logged a complaint at 11:49 yesterday morning about the building being out of compliance with the new zoning. By 2:58PM, a Buildings Inspector was on site, noting that only 20 percent of the foundation was done and ordering a halt to work. Later, the developer of Oliver House told the MTA to cancel a planning closing to an entrance of the Carroll Street subway station due to construction. It's likely there will be an appeal to the Board of Standards and Appeals to "vest" the building under the old rules, which means there will be more bizarre arguments in front of one of the city's most obscure, yet contentious bodies coming in the fall.


Hm. What's the proper response to this piece of bad news for a developer who always made it clear that his wishes and his bank account, and not the concerns of hundreds of local citizens, were always the only thing that mattered?

Oh, yes: Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha!!!!!!!!

Half a Church


Some East Villagers, as they're strode up Lafayette Street, may have noticed this someone grandish, red-brick back end of a building hiding behind an unlovely parking garage on Great Jones.

If you think it looks like it was once part of something important, it was. The arched structure was long ago the aspe of an old neo-Gothic church known as the Mission Chapel of the Immaculate Virgin. It was founded by the Rev. Father John. C. Drumgoole.

Drumgoole was apparently a remarkable fellow. For 21 years, he was the Janitor and Sexton for St. Mary's Church, where he let many poor children living on the streets use the basement for shelter. He trained them as altar boys and educated them. Drumgoole was ordained in 1868 and jot a job at his old employer, St. Mary's. In 1971, he took control St. Vincent’s Home for Homeless Boys of All Occupations, calling it "Newboys Home." Soon it was full of boys paying 25 cents a night for lodging and board.

In 1881, Drumgoole established the Mission of the Immaculate Virgin for the Protection of Homeless and Destitute Children, a then-humongous, 10-story building at Great Jones and Lafayette. It has classrooms and libraries on the 2nd floor, living quarters were on the upper floors and the 1st rooftop playground in New York. Again, 25 cents was the fare.

And he kept on. In 1882, he purchased a 138-acre farm off Raritan Bay on the southern tip of Staten Island. It was named Mount Loretto. It was home to hundreds of kids and was a working farm. 1,000 quarts of milk were produced daily. The barn housed 300 head of cattle and 50 horses, and the pen kept 600 pigs. Drumgoole died in 1888. Apparently, a statue was erected in 1894. Who knows where that is.

In the late 19th century, the congregation broke up and the Great Jones church building was sold. Whoever bought it redid the front for commercial purposes, but left the back as is. And there it remains today, the Mission Chapel of the Immaculate Parking Garage.

24 July 2008

Bleecker Street in Seedier Days


Here's a photo I purchased a while back of Bleecker Street, looking a lot sinister than it does today. Not sure what part of Bleecker it is, but I'm guessing it's the stretch right before it reaches the Bowery.

What really got me about the photo, however, was the enormous wall of ads for things like Trimble Whiskey and Nestle's Milk. And in particular the ad for the play "The Count of Monte Cristo," starring James O'Neill. The was Eugene O'Neill's father, a famous actor of great talent who frittered away his talent by riding the wildly popular "Count" vehicle into the ground for decades. The photo was taken in November 1900, when little Eugene was 12 years old, having been born in a hotel on Times Square in 1888. He wrote all about what he thought of his dad's career in "Long Day's Journey Into Night."

Some Stuff That's Interesting


A like a girl who likes old menus.

Grimaldi's learned it had to pay its taxes and stayed open. Thank God.

Some nice old records will go to Syracuse University.

Some good ways to stick it to Cemusa.

And, of course, the MTA sucks.

The Ruination of a Great Slice


This isn't exactly on-topic, though it does concern Sal's Pizzeria, which has been serving pie on Court Street in Brooklyn for 50 years.

Among the old-school pizza places in the area, Sal's has always struck me as a bit of a mess. Their regular pie is OK, but nothing to scream about. The interior's a riot of conflicting intentions and past business models. The counter's right at the front door, making it difficult to line up. There's no easy-to-see menu listing prices. Tables crowd out most of the walking space. There are display cases full of rice balls, stromboli, buffalo wings and anything else you could think of. They make heroes, pasta dishes, salads, soups, etc. A jumble of signs cover the walls. There's often a half-assed sidewalk cafe set up. And the restaurant next door is affiliated to the place in an ambiguous way. Plus, no one seems to steer this ship; a changing cast of characters is always to be found behind the counter. In short, you never know where you're at when you walk into Sal's.

I would never visit the place if it weren't for three things: They've got a great location, smack dab at the crossroads of Cobble Hill and Carroll Gardens; the great old neon sign attracts me like a moth; and the chicken-jalapeño slice.

The chicken-jalapeño pizza has long been, to me, their one decent menu item. It was thin and flavorful, not too spicy, with a good sauce and eschewed gooey mozzarella in favor of other cheeses. It always satisfied.

So why did they fuck around with it? I don't know when the change occurred, but lately Sal's has severely altered their chicken-jalapeño slice. It's crust is now significantly thicker; it's almost deep-dish-like. Mozzarella overwhelms everything; you can barely taste the chicken or hot peppers. And the sauce is almost a non-entity in the new formula. It's a terrible slice now, doughy and flavorless.

I thought I had got them on a bad day, so I went back a week later. Sure enough: There was chicken-jalapeno slice 2.0. And it was just as lousy. I asked the counterman if they had indeed changed the recipe, and he said, yes, they had.

In contrast, here's some good pizza news. Lucali, the fantastic pizza joint on Henry Street, introduced hot peppers as a topping two weeks ago. They're great! Try them with pepperoni.

Pictorial Celebration of Frankie & Johnnie


Frankie & Johnny's Steakhouse, which we recently learned was on its way out, is captured in pictures by our pals over at the Greenwich Village Daily Photo. Wish we could handle a camera as well as Ken Mac.

23 July 2008

Who the Hell Owns Colonnade Row?


Colonnade Row, the spectacular sweep of marble residences on Lafayette Street fronted by majestic, two-story Corinthian columns, is arguably one of the most poorly maintained, working landmark buildings in the City. I first laid eyes on it in 1988 and thought it grand, but in a monstrous state of deterioration.

Well, nothing's been done to it since. There used to be nine houses, making for an even more imposing facade. Now there are only four. When they were built in 1833, the area above Houston was the City's fashionable district. It was called La Grande Terrace back then, and houses were sold to the Astors, Vanderbilts and Gardiners and author Washington Irving. A few decades later they were out of fashion, and the downfall began.




Back in 1923, the Times reported in 1995, a Princeton architectural student studied the buildings and noted "the marble is disintegrating very rapidly, and portions have been covered with a plaster coat of cement, applied without any regard for the original motives." Imagine what the student would think now. I am surprised the pillars are still standing or that people are allowed to live inside. The columns are chipped and discolored. There are cracks in the ceiling. Ornamentation is fast falling away. I noticed some defunct old Christmas lights wrapped around one column.

The buildings were among the first to be honored by the Landmarks Commission back in 1965. If ever there was a case for the Commission to come down on the heads of a derelict landmark owner, it's this one. The jerks don't ever keep their landmark sign in good condition! A sign inside the lobby lists something called Colonnade Management as the owner. A certificate listing building inspections shows that the most recent one was in 2001.




One Tim Ranney started an interesting blog this year called Colonnade Row. The man actually lives in the building. He reports, "The Colonnade is still a home to about 50 people in various types of apartments - some are the original ornate rooms with elaborate crown moldings and white marble fireplaces, others have been cut up and modified into smaller units, and a couple are very swank, tricked-out, multi-story townhouses... Today, the Colonnade is dirty, decaying, and somewhat decadent. And, frankly, that's exactly the way I like it. A lot has gone on here over the past 175 years which I will be getting into later. The facade was supposed to have been restored a few years back but that fell through and I wouldn't be surprised if it's never fixed up. I'd thought of starting a Save The Colonade non-profit, but couldn't get the cooperation of the owners and had to abandon that idea."

Couldn't get the cooperation of the owners. Whaddaya know.

Kielbasa Supply in Williamsburg in Danger?


A reader wrote in expressing concern over the status of Polska-Masarnia Czeslawa (at least that's what I think it's called), otherwise known as the Quality Meat Market, the longstanding Polish butcher at 172 Bedford Avenue in the heart of Williamsburg. Said observer dropped by last Monday and found "the gate was down and the place looked like it was stripped. Nothing hanging in the windows....a few years back there used to be a second butcher next door but it's gone. It's been going there for the past six years, so I keep an eye on it."

The reader expressed hope that the shop was undergoing renovation, while at the same time doubting this as wishful thinking. Several calls to the butcher shop (taken from the number on the sign) were answered by only a weird buzzing noise. A search through various directories did not even turn up any other phone listings for the place. A call to the nearby Bedford Cheese Market Shop brought a response that they "thought" it had closed.

Butcher shops seem to be going the way of the Dodo—in Park Slope, the East Village and no, perhaps, Williamsburg.

What You Can Get in the Public Theater Bathroom


It seems spectacularly incongruous to me that the Public Theater, that longstanding bastion of cultural democracy, is one of the few places left in New York City where you can encounter a bathroom attendant.

For as long as I can remember, a small old man who speaks broken English has lived in the Public's men's washroom, offering soap and towels and turning on faucets, and accepting tips from whomever feels appreciative enough. There's a small table to the right of the sinks crowded with items that can make you smell better. Usually, I avail myself of a mint or piece of gum from the candy bowl. The other night, however, I took a close look at what else was available. It's quite an amazing assortment.

There's Listerine, to cure vile breath. Tums, in case the play you saw made you ill, and Advil, if the play gave you a headache. Deodorant, in case the stuff you put on this morning is wearing off. Hand lotion for hands made rough by twisting the Playbill in frustration, and air freshener, in case the atmosphere in the bathroom offends you.

To top it off, you have a choice of three different colognes: Calvin Klein, Kenneth Cole's Reaction and one other which I couldn't identify because the label had worn off.

So it's settled: You could arrive at the Public Theatre completely unwashed, unbrushed, smelly and hungover and have nothing to worry about. A trip to the restroom will set everything right.

22 July 2008

Whose Using Figaro's Chalkboard?


Passed by the recently deceased Le Figaro Cafe on the corner of Bleecker and Macdougal yesterday and paused in respect for the dead for a moment. The windows were all papered over. The letters if the Figaro sign had been removed, leaving only their shadows. And then my reverie was shattered by a blackboard nailed to the side of the storefront. It must have been used to advertise specials in the past. But now it read: "Comedy Corner. 3 Great Shows. 8:30 10:30 12:30." And then followed a detailed listing of the line-up.

I say, that's a little callous, isn't it? Using a businesses blackboard to advertise your business so soon after the cafe gave up the ghost? Comedy Corner is situated in the basement of the Cafe del Mare, right across the street. Ruthless business practices.

Not sure what's happening to the Le Figaro space, but it sure is happening fast. Past reports have a bank taking up residence in the back and a new restaurant up front. Work orders are pasted up everywhere. There's plenty of work going on in both sections. The place is gutted and new beams are being put in place. Wonder what happened to all that curious bric-a-brac that used to be in the Figaro.


Star Water


This fountain, shaped to resemble the ribs of a whale, is located in DiMattina Park in south Carroll Gardens, abreast of the BQE. Though I haven't visited the vest-pocket park many times I did not notice until yesterday that the jets of water embedded in the "ribs" created a star pattern when on at full blast. Nice touch.

A Cool Image


As a respite to the heat, take a look at this shot of Eldridge Street circa 1927. Imagine: so much snow that it piles up in ridges along the side of the street. The kids in the photo look like they're in the midst of a snowball fight. Just don't break old man Rabinowitz's grocery store window or you'll fetch a box on your ears!

21 July 2008

Almost Done at The Collection


They're down to the basement level at what used to be the International Longshoreman's Association building, knocking down them subterranean walls. Soon they'll be able to start building (ack! gag!) The Collection—the condo complex with the worst name in Gotham. Hm. Wonder what Mob confabs were held in that basement.

Lost City: New Orleans Edition: Service By Spencer Tracy


Rubenstein's Department Store has been on Canal Street in New Orleans since 1924. It remains in the Rubenstein family and, unlike many such stores in other cities, continues to do well. There are two floors of clothes inside, surprisingly high-end stuff for both men and ladies. There are some items made specifically for Rubenstein's and bear their label.

A sale was afoot when I visited and from the moment I entered I was shadowed by an eager, smiling young salesman named Spencer Tracy. I kid you not. I usually hate this sort of treatment, but he was so smiling and so friendly, I didn't mind his company. I think it was the moment he offered to bring me a Coke or a Beer that he won me over.

"Are you serious?" I said. "Yes," he smiled. "Do people actually take you up on that offer?" "Yes, one a hot day, they do." "I can tell you," I replied, "that if anyone in a store in New York City ever offered a customer a coke or a beer or even a glass of water, they would fall over from shock."

I bought a nice short-sleeved shirt with a Rubenstein label. Next year, I'm saying yes to that beer. Somehow, I can't think of anything cooler than shopping for clothes in New Orleans while drinking a beer.

Lost City: New Orleans Edition: Some Good Signs


An abandoned antique store that was apparently a costume rental store in a previous lifetime.


A famous restaurant in the French Quarter.


An enchantingly grungy old eatery just behind the Hotel Monteleone. They spell it out for you: Gumbo Red Beans Rice Hot Sandwiches. It's what you want.


An otherwise cheerless building at the corner of Canal and St. Charles is enlivened by the one-story-tall, carved-out name of Gus Meyer. Meyer's was once a mini-chain of department stores with locations across the south. This building was the original outlet. The remained two are in Birmingham and Nashville.


Well known for its Po' Boys. Lines down the block.


A hotel felled by Katrina. Ain't gonna open anything soon. But the sign survived and is glorious.


Got this in the dark in the Carrollton neighborhood. Still worth it.

A Good Sign: New Orleans Edition: Walgreen's


Only in New Orleans could a Walgreen's look this grand. On Canal Street.

This more modest, but no less appealing, sign is on Royal Street in the French Quarter.

18 July 2008

Waiting to Fall Down


I've kvetched in the past that there is a more insidious way New York landlords and developers are getting rid of old building than simply knocking them down. It's called neglect. They just leave a landmarked or classic structure unattended and unloved and wait for age and gravity to do the work a wrecking ball otherwise might.

AMNY does a public service by pointing this out today and posts it's top ten list of buildings dying from neglect. Here they are.

WINDERMERE
400-06 W. 57th St., Manhattan
A judge ruled in May that the owners of one of Manhattan's oldest apartment complexes must bring the 127-year-old landmark into good repair.

EMPIRE STORES
53-83 Water St., Brooklyn
Workers are stabilizing the vacant Civil War-era warehouses' arched windows and repairing a large crack on the building's northwest corner. There are currently no plans for the state-owned buildings, which overlook the waterfront Empire- Fulton Ferry Park.

CORN EXCHANGE BANK BUILDING
81-85 East 125th St., Manhattan
Promises in 1999 to restore the Harlem hulk, built in the 1880s, and convert it to a cooking school have not been delivered. The Landmarks Preservation Commission has referred the case to the city's law department.

100 CLARK STREET
Brooklyn
Fearing the apartment complex, in the Brooklyn Heights historic district, could collapse, the city in May evacuated tenants and removed the top two floors from the five-story building. The owner has submitted a plan to the Landmarks Preservation Commission to stabilize the 1850s building.

RKO KEITH'S THEATER
135-29 Northern Blvd., Queens
Only the lobby of the former movie palace in Flushing is a designated landmark. Its current owner planned to convert the site into a 16-story residential and commercial tower, with plans to restore the foyer, but has since put the 80-year-old building up for sale.

BEDELL HOUSE
7484 Amboy Road, Staten Island
A developer's 2005 plans to demolish the crumbling building and replace it with townhouses were foiled when the city later designated the 1869 structure a landmark. The developer filed a lawsuit against the city in March.

JOHN ROHR HOUSES
502-506 Canal St., Manhattan
The red brick buildings have stood since 1826 and feature one of Manhattan's oldest storefronts. Today, they are vacant and covered in graffiti. Wooden windowsills are eroding, and plywood covers the window openings.

67 GREENWICH ST.
Manhattan
The New York Landmarks Conservancy describes the 1811 structure as "the most endangered Federal-era building in lower Manhattan." In May, Syms department store bought the site, but says it is only trying to protect its adjacent flagship store from "encroachment" and has no plans to develop 67 Greenwich St.

43 MACDOUGAL ST.
Manhattan
The 1846 building is rumored to be a former mob hangout. Preservationists fear the vacant Greenwich Village site is falling into dangerous levels of neglect and are pushing the city to step in.

614 COURTLANDT AVE.
Bronx
A former 1870s saloon and meeting hall, the vacant three-story Melrose building has no windows, exposing it to rain and snow.


Of course, there are many more. The Landmarks Commission can no longer just designate landmarks. It has to enforce their upkeep and preservation. City Hall should give this office its own police force. Love to see some derelict landlords get it with a billy club.

Lost City: Wisconsin Edition: Showers and Air-Conditioning


Never did find out the name of this motel—which certainly does look like a hotel to me—in Algoma, Wisconsin. A sad, but strangely inviting little Tudor affair on the main drag. Bar downstairs. Sign on the side says it all: "Motel and Cocktail Lounge. Vacancy. 12 Rooms With Showers Open Year Round." The "Vacancy" part is painted on. There's also a vacancy here. The sign along the side trumpets "Air-Conditioning"—always an attraction.


Other delights in old Algoma, which sits on Lake Michigan's shore and is fantastically preserved: this canopied, stucco, single-pump gas station, right out of the 1950s. And in the center of the downtown, too.



Algoma was once big enough to have a Bank of Algoma, even if it was a narrow bit of business. Still: two gigantic pillars. Now an insurance outfit.



And the Stebbins Hotel, about 150 years old and still in business. This is what a grand regional hotel looked like a century ago. There's a sweet dining room inside, and wooden phone booths. It's been kept up and it run by a family—the latest in a successful of families that has operated the hotel.

17 July 2008

Lost City: Troy, NY, Edition: Jimmy's Lunch


Jimmy's Lunch. In lonely old Troy, NY, which once processed the nation's steel, shirt collars, bells and liquor, and guided its tugboats up the Erie Canal. Borders Congress Street and an alley, giving it a shady, marginal category. The neon "Open" sign is placed at an angle, as if to beckon would-be customers down on busy nearby 4th Avenue, blocked only by the American flag. Inside, it is on the dark side. No light is wasted. The air seems to be akin to syrup, so slowly do people move. You can hear the dust settle. No rat race here. Just cheap lunch plates. Breakfast for $1.95. Jimmy's "Fine Food," as the sign says.

16 July 2008

Lost City: North Carolina Edition: BBQ


Central North Carolina can be pretty numbingly suburban, the red soil and tall pines notwithstanding. It's hard to find much to hang your enthusiasm on. But finally, after many a trip (I have relatives there), I discovered North Carolina barbeque. I'll never leave the state unhappy again.

If you know anything about barbeque, you know it's done differently in every region where it thrives, and every area swears they do it the RIGHT way. In NC, BBQ means pork. Slow-cooked pork, pull off the carcass (not cut!) after cooking for a day. When served as a sandwich, it's put on a soft bun, topped with a vinegar-based sauce and often topped with cole slaw. When done by a master, this is stuff that will slide down your gullet more satisfyingly than anything you've ever had. Savory, spicy and deeply flavorful. Sensory bliss.

I don't just like NC BBQ because it tastes good. I also relish how it's practiced by independent restaurants of long-standing and little pretension, beyond a pride in their product. The places known for it are on the old side, smallish and have fiercely loyal patronage.

I've managed to hit three of the most ardently praised. My first experience was Stamey's in Greensboro. Stamey's has been in business since 1930 when Warner Stamey founded it. It's now in the hands of the third generation. There are a couple branches around the city; the one pictured is on High Point Road and replaced a drive-in that had considerably more charm (see below). They still slow-cook the barbecue over a pit of hardwood hickory coals. And you can get one of these great sandwiches for $2.75.



In Chapel Hill, I visited Allen & Son, a small house-like structure with a humble set-up inside. Allen & Son seems to provoke great debate among BBQ devotees. Some insist it's the best joint bar none; other says it's criminally overrated.

Me? I liked it fine. The sandwich was better, more subtle than Stamey's. I just sensed for artistry going on, more integrity. The sides were great, too, and North Carolina Sweet Tea goes just about perfectly with this stuff.




My final visit was to an unlovely, roadside dump called Backyard BBQ Pit in Durham. Easy to miss, easy to pass by as nothing special, it was as good as the better-known eateries above and in some ways my favorite. Why? Because the guy who makes the BBQ, a past master named Lloyd Lewis, is right behind the counter. Because he's unfailingly polite as he serves you. Because he's there to make sure his food is being enjoyed and takes an interest.

The interior is basic and unfussy. Almost ugly. People write on the walls and their graffiti is left intact, giving the room a bit more personality. And the food is friggin' great! One thing that amazes me about NC BBQ is how its served on these lackluster hamburger buns. It's a brave choice. The makers know it's not about the bun. They just need something to hold the great-tasting meat.

Frankie and Johnnie to Close


Ken Man of Greenwich Daily Photo, after reading a recent posting of mine about the unclear fate of Frankie and Johnnie Steakhouse on 45th Street (will it close and when?), went to visit the place and take a few shots. There he got the bad, sad word: "Frankie & Johnnie's is closing. I was up there taking pics this AM (inspired by your post), the proprietor invited me up and told me the whole block is being razed..."

I called to confirm, and the man on the phone said, yes, they were closing, but he had no idea exactly when. Through the end of the year might be a possibility. So the place could be around for a number of months still.

It was not unexpected, but it still hurts. Frankie and Johnnie's, a former speakeasy, opened in 1926, when Coolidge reigned, and is one of the oldest steak joints in the City. Certainly the oldest in Midtown. Babe Ruth ate here. Al Jolson, too. And many a Broadway star. In recent years, Shubert Theatre execs used the tiny, second-floor place to conduct meetings.

With it's long unattractive staircase entrance and the blinds drawn on the windows, it still feels like a speakeasy. According to the website, the name is derived from the old Jazz Age password. Speaking through a peephole, would-be patrons said "Frankie." If all was clear, the man behind the door said "Johnny." These days, it has one of the smallest and most secret bars in town. (To the right as you go up.)

Of course, Frankie & Johnnie's is a mini-chain, with locations on 37th Street and Rye, so it's not going away altogether. But still.

A Good Sign: Grand Hotel


This Grand Hotel is on Main Street in tiny downtown Nassau, NY, a pretty white clapboard community in Rensselaer County. The Grand Hotel is all of two stories tall, and probably contains four rooms. You won't find Greta Garbo in this place. The hotel is no longer in operation. Nor is the restaurant (see below). All that remains is an attached liquor store. But the store and building are still owned by the family that owned the hotel, and they hope to reopen the lodging and dining arms of the business soon.

A lovely sign. Check on the curving arrow that bears the word "Bar."

In With the New, and Ugly


So the New Apollo diner on Livingston in downtown Brooklyn decided to refurbish itselv sometime back, including taking down its fine bit of signage, seen above.

Walked by the other day. It was dark, admittedly, but I can't imagine these new signs look any better in the light. I'm sorry, but aren't these blobby-lettered, red-and-white jobbies just—what's the word?—awful? Particularly the "Express to Go" sign, which makes me feel like I'm in suburbia and go everywhere in my car. Can't imagine which sort of Brooklyn customer they weren't getting before that they think this sort of signage will attract now.

At least the new sign calls the Apollo a diner, which it what it is, and not a restaurant, as the old sign had it.

15 July 2008

Russian Souvenirs


Small. Cluttered. Incongruous. On 14th Street. Just to look at.

Red Hook Vendors to Make Belated 2008 Debut This Weekend!


Funny. I was just wondering today if the Red Hook Ballfield vendors would ever open their 2009 summer season. I was just about ready to give them up for dead, the victim of the willful animosity of the City's health and parks departments.

But then Brooklyn Paper reports just in the nick of time that the Latino food sellers will return to the tray this weekend. Oh Fraptious Day! But the opening comes at a price, as the vendors have lost almost half of their regular season:



The financial costs of purchasing and retrofitting carts, combined with half a season of lost sales, have sent many vendors deep into the red.

“The losses are major,” said Marcos Lainez, who operates a Salvadoran papusa cart. “It’s going to take at least two and a half years to recover all the money we have lost.”

Lainez shelled out $35,000 to get a legal stand and upgrade it, and is rushing to get last-minute repairs made so he can pass a city inspection to start selling the bean–and–cheese filled tortillas this weekend.

The burden for other vendors is even heavier.

Pamela Martinez told The Brooklyn Paper that her father spent $45,000–$50,000 to ready his cart for Mexican treats like tacos and huaraches.

“We’re out three months of work,” Martinez said.

Like Lainez, he’s waiting for the green light from the Health Department.

Part of the delay for several of the vendors came from a Queens repairman who took many weeks longer than promised to overhaul their mobile units and bring them up to the newly tightened city requirements.


Everybody out there, do your part: Buy twice as much food as last year! Get these guys out of debt!

Lost City: Troy, NY, Edition: South End Cafe


One of the most intimidating old-school bars I've ever encountered rests on a desolate, curving stretch of Burden Avenue in South Troy, New York. Maybe it's the spare tan facade. Maybe it's the boarded-up, depressed feel of the surrounding neighborhood. Maybe it's the "Ladies Entrance" neon sign, almost as big as the main sign, that still defiantly hangs outside the building, despite the fact that ladies entrances in bars gasped their last gasp in the 1970s. Maybe it's the fact that rough-looking men were already inside at 11 AM, drinking in near darkness. Maybe it's all these things.

The place, known locally as Marty Burke's, after its founder, opened in 1934. It serviced the steel mill workers who once populated the area. (It's right near Mill Street.) A sign in the window promised "Steamers are Back!" Otherwise, the food is what you expect.

And the "Ladies Entrance" sign? Back in the 1970s, there were calls for it to be taken down, that it was sexist. Ironic, since the original owner hung it up because he wanted to serve women—a thing that a lot of bars at the time did not do. Anyway, the Troy City Council saved the sign by declaring it a historical landmark. Good councilmembers and true.


Butcher Butchered


Gowanus Lounge reports that A&S Pork Store on Fifth Avenue in Park Slope, the last surviving butcher in that nabe, will be closing, ending a 66-year life for the shop.

Sad news. As I don't live in Park Slope, I've never been a big customer, but I've admired the store's colorful presence each time I've passed it, and occasionally wandered inside to admire the goods on display. It's a rent hike, of course, pushing A&S out. They have three months to find another place, so I guess there's hope, but I wouldn't be surprised if the owners just pack it in. It's hard to absorb the expense of a major move in these times.

And there's more from Adventures of a Gal, which makes the story all the more unfortunate: "I spoke to the owners at A&S and it seems to be a family squabble gone awry and now the daughter of the former owner (still all family) is jacking their rent up b/c she knows she can get more money for that space and doesn’t care that the family business won’t be able to afford it."

Nice.

So Long, W. 45th Street


A month ago Lost City remarked that the strip of former restaurants along W. 45th Street between Broadway and Eighth looked ripe for the wrecking ball. Sure enough, a month later half of the buildings are gone, reduced to a pile a rubble. Vanished are the addresses that once housed Puleo's and Puleo's II. Still standing are the one-time homes of Barrymore's and Sam's. Also left is the jigsaw pattern on the side of the former Sam's, an interesting arrangement of wall and brick which looks to me a bit like something Robert Rauschenberg might have come up with.

The million-dollar question remains what's to become of the old steakhouse Frankie and Johnny's, which sits right next door and continues to act like nothing's going on. It's hard to see how a hotel will rise on this sight with F&J still there. Perhaps it will remain, a la Hurley's and Rockefeller Center.

14 July 2008

360 Van Brunt to Get New Tenant



Several new wrinkles in the ongoing mystery of 360, the praised restaurant of chef Arnaud Erhart that put Red Hook on the dining map until he capriciously shut the place down and disappeared last year, prompting a million conspiracy theories as to why he left and where he went.

Walking past the storefront today, I encountered a man sitting with a purposeful air in a lawn chair in front of the opened shop. I thought this might be the new tenant, but no. Even better: it was the landlord. And he had a heap of information regarding the new sign in the window that read "New Restaurant Opening Soon."

The new eatery, "another fancy sit-down place," will arrive in September. It will be Italian, and run by an Italian, whose name I didn't get, but who runs a restaurant outside Italy, and has put in time at Patois on Smith Street. (Perhaps with that information, the foodies out there may have an idea who the guy is.) The place may be a "family affair," run by the chef and his clan, and the landlord said the man was committed to the place.

That sort of explains what will become of 360. But what about what happened to it? "I think Arnaud decided he had accomplished what he set out to do," said the landlord. "One of the best ten restaurants in New York? Goodbye." Where did he go? "Madagascar to save the coral reefs," he said with a smirk. I'm pretty sure that was a joke. But what came next probably isn't. Arnaud is back in the city now, but may possibly soon leave for New Orleans, perhaps to open up a new restaurant.

Bleecker & Macdougal


I'm a bit slow on the uptake here, but for form's sake I'd like to take a moment here to mourn the passing of Le Figaro cafe on the southeast corner of Macdougal Street and Bleecker. I know the kitschy old wooden cafe hasn't been what it should for many years. (The original incarnation actually shut down in 1969.) Still, its exit marks the final death knell for an intersection that was, for a time in the post-WWII years, more Greenwich-Villagey than any other.

This was the crossroads of every significant literary and music figure of the '50s and '60s. They all spent time here: Dylan, Burroughs, Agee, Ginsberg, Pollock, Auden, Baldwin, Cage, Williams (Tennessee), Miles Davis, Styron, O'Hara. The famed San Remo was on the northwest corner. There were few literary hangouts more famous. All of the above were rooted to the wooden booths. At the northeast corner sat the old Cafe Borgia for 60 solid years, until 2001. After the Cafe Reggio up the street, it was the oldest cafe in the Village. Dylan and the Beat poets hung out here too, as well as Warhol and Albee.

As you can imagine, one came to this area to drink. Drink coffee and drink alcohol. Drink and talk, talk and drink—both, furiously. The intellectual life of the Village ragee here day in and day out. Now, with Figaro's death, it's one of the most indistict, unimaginative intersections in New York City, in my opinion.

Folkster Fred Neil wrote a song called Bleecker & Macdougal back in '65. It went:

I was standing on the corner
Of the Bleecker and MacDougal
Wondering which way to go
I've got a woman down in Coconut Grove
And you know she love me so

I wanna go home


We all do, Fred.

Cafiero's: An Eye-Witness Account


In my continuing excavation of Cafiero's—the once legendary, now forgotten Italian eatery on President Street near Columbia—one thing I have not been able to discover was how the place looked and operated inside. From the looks of the storefront, it couldn't have been that big.

Clearing up this matter and many more is one Ralph Scarfogliero, who lived across from said restaurant as a kid, and recently left a comment on Cafiero's item I posted way back in May 2007. First among his many tidbits of information was the name of the proprietor: he was called Sharkey, if you can believe it. He wife Katie and sister Mamie were waitresses. Brother Frank was the cook. There were also waiters named John and Red.

From the sound of Ralph's account—which I will unroll verbatim soon—the place operated a bit like a private club and could easily have provided a scene in many a Scorcese film. There were a few tables up front as you walked in, and twice as many in the back, and I have heard from other past visitors that if Sharkey knew you, you were taken to the back.

If you ever have heard all that talk about New York life being more flavorful in the past and have questioned it, consider Ralph's testimony:

Sharkey would always greet the neighborwomen by saying hello Sophie dear, or hello Connie dear. He lived above the restaurant and his sister and her husband lived on the top floor. They only served lunch and one 6PM sitting for dinner. There were 6 tables in the front, and you could walk back through the kitchen to the back room to find another 8 tables. When I was a kid Sharkey would send me around the corner to the bakery to get another 3 or 4 loaves of fresh Italian bread when he ran short. His wife would type up the menu for the day, there were no printed menus. He retired in the seventies and although was approached to sell the restaurant many times, he always refused. I can remember one time some 15 years after he retired, someone would come back from being out of town to dine there only to discover Sharkey sitting outside telling them sorry, he's retired.

They would make the biggest heroes ever, only cutting off about 4 inches from a loaf of Italian bread. Frank had a knack of pitching a ball of dough from the kitchen all the way to the front of the restaurant where I would be waiting for my take out, and beam me in the head. He never missed and I never caught him in the act.
Boy I sure do miss those days.


My heart just throbs with yearning when I hear stories like that.

Other things I've learned: they had valet parking, to handle the many cars that were often idling out front; the kitchen was open and could be inspected as you passed through to the back room; the cooks handed the dishes through an open window onto a buffet table, where the waiters picked them up; decor was nil; most ingredients were imported; the house wine was home made.

Everyone describes the food as not just good, but great. This could just be nostalgia talking, but the raves sound convincing. Dishes mentioned include the Charcoal Broiled Veal Spedini, Vinegar Peppers over grilled pork chop, potato croquettes, the sides of rigatoni.

Apparently, after he retired, Sharkey just kept the restaurant as it was: tables, chairs, kitchen, etc. He just didn't open it for business. Pretty sadistic, dontcha think?

Lost City: Troy, NY, Edition: Tiny Hot Dogs


Localized culinary traditions drive me mad with excitement. In these days of rapid globalization and homogeneity, they're a sign of continued life and individuality; provincialism in the best sense.

Troy, New York, a mid-sized city on the Hudson River, just north of Albany, has a lot to interest the curious traveler who's not too put off by the drab trappings of a down-on-its-luck, has-been industrial center. There's the famed Rensselaer Polytechnic Institute, the oldest technological university in the English-speaking world. It was home to the W. & L. E. Gurley, Co., which for more than a century made precision instruments that were used to survey much of the American West after the Civil War (it's building is now a national landmark). Also here was the Meneely Bell Company, which made, yes, bells, that went all over the country and the world. The Erie Canal begins just north of here. For the literary-minded, "A Visit from St. Nicholas" was first published in the Troy Sentinel, and Kurt Vonnegut set a couple of his novels here. For the Mob-obsessed, Legs Diamond did business here during the bad-old Prohibition days, when liquor flowed down from Canada through Troy. And, perhaps most significantly, the notion of "Uncle Sam" began here when butcher Sam Wilson supplied the Union troops in the Civil War with meat. Soldiers equated the U.S. stamped on the barrels with "Uncle Sam" Wilson.

All this intrigues me, but what got me jumping up and down when I recently visited Troy were the tiny hot dogs. Yes, tiny hot dogs. For whatever reason, Troy, Albany and the surrounding area take their frankfurters in bite-size portions. Three-inch franks are served on three-inch buns, and people typically order a bunch of them, the way folks get a sack of small burgers from White Castle. No one could explain to me why this is, only that it's been this way for some time.

No place in Troy dolls out these delicacies with more notoriety than Famous Lunch on Congress Street right in the downtown. The luncheonette has been there since 1932 and has been run by three generations of the Vasil family. It used to be called Quick Lunch before, well, it became famous—supposedly because some Troy marine stationed in Moscow got a hankering for the dogs and had some flown over. Since then, it's Famous Lunch.



Troy used to teem with mills, and thus teemed with mill workers, and Famous Lunch still looks like a place suited to them. There are no airs. There are blond wooden booths along the right wall, a counter with low stools along the left, checkered tile floor, a stainless steel grill on the other side of the counter, and a wooden phone booth at the back. Ur-luncheonette.

Prices are cheap. I took the owner's advice and got the "special": four hot dogs with the works and a drink. "The works" includes "Zippy sauce" (a special concoction) chopped onions, mustard and a dark beanless chili. Literally hundreds of these dogs are cooking on a grill near the front window and the counter guys fix them up quickly. One tattooed gentleman next to me order a dozen, all piled up on a plate. Made me feel like a lightweight. The mini dogs are garlicky and strong, and probably a good recipe for heartburn, but I ate them with no protest. There's something called Zippy Fries on the menu, and supposedly the famous rice pudding is served with half and half, but I didn't try these.



The wieners have always been made by the same German butcher, the Troy Pork Store, just a couple blocks away. It's been around since 1918. It's another gem of Troy authenticity.



And I found a 12-pack of miniature hot dog buns at this Troy bakery, ready to the taking home, in case you need some small franks in the comfort of your four walls. All of Troy, you see, is in on the local lunch legacy.

11 July 2008

Lost City Asks "Who Goes to Tripoli?"


Tripoli, subject of my latest "Who Goes There?" on Eater, looks completely out of place on Atlantic Avenue. From the outside, the austere Lebanese restaurant seems like another Gage & Tollner, a high-ceilinged relic from a grander age of dining. The building anchors the stretch of Atlantic from the harbor to Court Street.

I regret my decision somewhat to finally visit the place, because the restaurant is so much more humble on the inside. So I'm sadder, but wiser now. But it's a nice place, run by a seemingly nice family.

One funny aspect about the business. Notice the gray paint on the facade, and the gold lettering used for "Tripoli"? It's the same gray paint and gold lettering used for the small businesses (dry cleaner, pharmacy) on Atlantic right across Clinton Street. That's because Tripoli used to be located on the opposite corner, where, presumedly, the landlord of that building imposed the gray-gold color scheme on the owners of the eatery. When they moved across Clinton, they apparently kept the color scheme even though the didn't have to. It lends a nice uniformity of design to the intersection.

10 July 2008

Lotta Visual Stimuli


There's a lot to engage the eye on most Manhattan intersections. Even so, you have to hand it to this corner of Fifth and 32nd. Youch! Kinda go blurry after a couple seconds. Doesn't help to look up, either. The old buildings a major piece or ornate brik-a-brack.

09 July 2008

A Good Sign: Junior's


In Brooklyn. Where else? (Don't tell me Manhattan, too.)

08 July 2008

Erie Basin Park



The other day, I finally biked down to Beard Street to take a look at the new IKEA and see how big and blue and popular it was. But I got sidetracked by the entrance to the new Erie Basin Park that the Swedish giganto built around its store, and soon decided to put off my visit for another day.

I'm not one for handing corporations compliments, but I have to admit that I was rather floored by the park. First of all, it's pretty huge. I was on my bicycle and it seemed to go on forever. Second of all, it provides fairly unexampled access to New York Harbor. It's shoreline all the way, something Red Hook's always needed. Thirdly, while IKEA can rightly be blamed for having trashed a lot of Red Hook's maritime history (Todd Shipyards and all its records, anyone?), it did salvage some of it and incorporate it into the park. An 18-foot compass is set into the ground. There are colorful sculptures of thick rope and many large yellow bollards (those knobby things you tie the ropes to). Big cement chocks ("A heavy fitting of metal or wood with two jaws curving inward, through which a rope or cable may be run") bear the names of 24 ships—many with interesting and romantic names—that were once repaired on the site. And, of course, the four towering cranes that have been preserved and dot the site. like so many Imperial Walkers on the ice world of Hoth.

Additionally, there are informational panels that describe various aspects involved in the mending of a large ship. Meanwhile, out in the water are rotting and ghostly examples of old docks, warehouses and ships, giving the area the feel of a living museum/graveyard of Brooklyn's waterfront past. The sense if history is palpable.

Say what you will, IKEA did a great job on this park. It's a bit like Disney and the New Amsterdam. If I had my way, I'd rather have Disney out of Manhattan for good. But I never want to give up their restoration of the New Amsterdam Theatre.








07 July 2008

Helpful Junk


At a B61 bus stop on Van Brunt Street in Red Hook, the one near Baked and not too far from Fairway, there's a dusty old storefront that says it belongs to a contractor, but never seems to be very alive with trade. Anyway, recently someone or other erected a street clock outside the building, composed of random metal and junk. It's pretty attractive in its way. And it works! Very useful in checking to see if the B61 is as late as you think it is.

04 July 2008

A Good Sign: Jewels By Satnick


You can look all over New York and you won't find a sign exactly like this one. Jewels by Satnick was founded in 1912. It currently lives in a small storefront on State Street in downtown Brooklyn.

Amy Ruth's Job One


If Amy Ruth's ever does move into the old Gage & Tollner space on Fulton, their first job should be to repaint that planting pot outside the building. It remains decked in TGI Friday's red-and-white stripes—the last horrifying reminder of a horrible chapter in the building's history.

A Sign of the Times



The IKEA truck parked in front of the future site of Brooklyn's first Trader Joe's. Could any other picture express as succinctly what is happening in the County of Kings these days?

02 July 2008

Shakes Sundaes Home Furnishings


What I love about New York is that, whatever piece of global business crap they throw at us, we make it all local somehow. The monolithic IKEA in Red Hook—with its mile-high letters, bold blues and yellows and giant building-block structure—doesn't stop the driver of this Mister Softee truck from parking right outside the entrance and letting the tinkling music of its tape loop perfume the corporate air. Sure, they've got your dining room set inside. But slow down. Have a Lick-a-Color!

Urban Pioneer


See the unsightly edifice above. Hard to look at, isn't it? What ghastly colors. And that charmless sign.

This was once a center of old world Red Hook activity. This building, at the corner of Pioneer and Richards Streets, was, from 1921 (Jazz Age! Woo-hoo!) to 1955 (Dodgers win the Series! Yes!) the Pioneer Theatre, a 600-seat first-run movie house. Longshoremen and their families gathered here nightly for a little fun. Facing Coffey Park and just down the street from the Visitation of Our Lady Roman Catholic Church, it's hard to imagine a place of recreation more central. Wonder why, when they converted it, they felt compelled to erase every bit of evidence that it was ever a movie theatre.

I have discovered a few things about the theatre from reading a rather fascinating website called the South Brooklyn Network, in which former Red Hook born-and-breds reminisce in the most sentimental and unguarded way possible about the old days in the Hook. You learn a lot of history that wasn't in the papers from these folks. And you meet a lot guys named Natz and Joey Big Head.

Apparently there was a man who worked at the Pioneer who had a missing finger named Mr. Nichols. There was a tall lady matron named Mary who caused the kids to jump whenever she spoke. And one poster offered up a yarn as to why the Pioneer closed. I don't believe it, but I like the story, so I'm going to repeat it here. The tale is that the owner's wife ran off with a married man named Eddie. (It would be a guy named Eddie, wouldn't it?) He was so distraught, he closed the Pioneer and spent his life saving chasing after his wife to bring her back home.

Crapitecture on High


If you're a skinflint developer, you can express your cheapness in many ways.

Here are three brick buildings on Hicks Street near Kane. The two on either side are plain old tenements that have stood there for 100-years plus. The one in the middle has been brushed up and converted into condos. Notice the new windows and repointed bricks and the absence of an unsightly metal fire-escape. Also notice the absolutely substandard, stubby, cheap-ass cornice.

I guess I should be grateful the developer put on a new cornice at all. But I'm not. It's just so lousy. It's looks like a large Lego piece that was snapped into place. I'm guessing it's one of those inexpensive fiberglass jobbies they've got these days. Look at the shadows it casts on the building! It doesn't even sit flush with the brickface. And it's smaller than the cornices on either side because, God forbid you spend more money than you have to on the amount of fiberglass used. I wouldn't put it on a doghouse.

Oh, and the lintels and windows suck, too. There, I'm done.

Strollers Vs. Trees: A Hicks Street Smackdown


Who will win the battle of Hicks Street east between Warren Street and Congress—the age-old English Plane trees in the middle of the sidewalk or the pedestrians of Cobble Hill?!

Actually, it's no contest. The trees won a long time ago. Some nature-loving citizen or official, when laying out the sidewalk in front of the former-church-now-condo-complex on that block decided the beautiful trees would stay, even if that meant that, at three points in the block, there is barely enough room for a person to pass without toppling into Hicks Street. And forget about two people walking abreast. And absolutely forget about rolling a stroller down this block.


01 July 2008

Fifth Avenue's Eponymous Pizzeria Closes


Coulda sworn I did a "Good Sign" item about the Fifth Avenue Pizzeria sign in Park Slope some time ago, but damned if I can locate it. But the moment's passed. 'Tis gone. 'Tis dead. I guess this happened a few months back, but it's the first I noticed it. Nice local place. Not great pie, but surpassing local-ness, if you know what I mean. And the sign! The sign! I'd like to put it on my living room wall.



A couple months back I was doing some healthy rumor-mongering about a line of brick buildings on Smith Street that were being offered by the ever-agressive Massey Knakal real estate firm as a solid block. 252, 254 and 260 Smith Street could be picked up as a package for $3.5 mil and done with what the buyer would.

As Brownstoner already reported this morning, and I just noticed the same AM, said grouping is "in contract." Indy shops Refinery, Area and Flirt have given up their spaces. I'll bet you dollars to donuts that when the buildings come tumbling down—which they will—the strip will come back as one big building on community-irking dimensions.